▄▀▄ ♥ α♥ ▀▄▀→™ ♥♥The Devil is believed in certain religions and folklore to be a powerful, supernatural entity that is the personification of evil and the enemy of God and humankind. The Devil is commonly associated with heretics, infidels, and other unbelievers. The Abrahamic religions have variously regarded the Devil as a rebellious fallen angel or demon that tempts humans to sin or commit evil deeds. Others regard the Devil as an allegory that represents a crisis of faith, individualism, free will, wisdom and enlightenment.☠ǿð☠ ♥♥™♥•˚Ŧ♥•˚→

                                  ▄▀▄ ♥ α♥ ▀▄▀→™ ♥♥The Devil is believed in certain religions and folklore to be a powerful, supernatural entity that is the personification of evil and the enemy of God and humankind. The Devil is commonly associated with heretics, infidels, and other unbelievers. The Abrahamic religions have variously regarded the Devil as a rebellious fallen angel or demon that tempts humans to sin or commit evil deeds. Others regard the Devil as an allegory that represents a crisis of faith, individualism, free will, wisdom and enlightenment.☠ǿð☠ ♥♥™♥•˚Ŧ♥•˚→
The Devil is believed in certain religions and folklore to be a powerful, supernatural entity that is the personification of evil and the enemy of God and humankind. The Devil is commonly associated with heretics, infidels, and other unbelievers. The Abrahamic religions have variously regarded the Devil as a rebellious fallen angel or demon that tempts humans to sin or commit evil deeds. Others regard the Devil as an allegory that represents a crisis of faith, individualism, free will, wisdom and enlightenment.

In mainstream Christianity, God and the Devil are usually portrayed as fighting over the souls of humans, with the Devil seeking to lure people away from God and into Hell. The Devil commands a force of evil angels, commonly known as demons.[1] The Hebrew Bible (or Old Testament) describes the Adversary (Ha-satan) as an angel who instigates tests upon humankind.[2][3] Many other religions have a trickster or tempter figure that is similar to the Devil. Modern conceptions of the Devil include the concept that it symbolizes humans' own lower nature or sinfulness.

People put the concept of the Devil to use in social and political conflicts, claiming that their opponents are influenced by the Devil or even willingly supporting the Devil. The Devil has also been used to explain why others hold beliefs that are considered to be false and ungodly.

The name 'Devil' derives from the Greek word diabolos, which means 'slanderer' or 'accuser'.[4]

Contents
1 The Devil in religious accounts
1.1 Judaism
1.1.1 In the Hebrew Apocrypha
1.2 Christianity
1.3 Islam
1.4 Bahá'í Faith
1.5 Yazidism
1.6 Neopaganism
1.7 New Age movement
1.8 Satanism
2 Similar concepts in other religions
2.1 Zoroastrianism
2.2 Hinduism
2.3 Buddhism
2.4 Ancient Egypt
3 The Devil in world folklore
4 Other names for the Devil
4.1 Demons
4.2 Titles
5 God as the Devil
6 See also
7 Footnotes
8 References
9 External links


The Devil in religious accounts
Judaism
In mainstream Judaism there is no concept of a devil like in mainstream Christianity or Islam. In Hebrew, the biblical word ha-satan (השָׂטָן) means "the adversary"[5] or the obstacle, or even "the prosecutor" (recognizing that God is viewed as the ultimate Judge).

In the Hebrew Apocrypha
The Apocrypha are religious writings which are not generally accepted as scripture by Judaism and many modern-day Protestant sects of Christianity.

In the Book of Wisdom, the devil is represented as the one who brought death into the world.[6]

The 2nd Book of Enoch, also called the Slavonic Book of Enoch, contains references to a Watcher Grigori called Satanael.[7] It is a pseudepigraphic text of an uncertain date and unknown authorship. The text describes Satanael as being the prince of the Grigori who was cast out of heaven[8] and an evil spirit who knew the difference between what was "righteous" and "sinful".[9] A similar story is found in the book of 1 Enoch; however, in that book, the leader of the Grigori is called Semjâzâ.

In the apocryphal literature, Satan rules over a host of angels.[10] Mastema, who induced God to test Abraham through the sacrifice of Isaac, is identical with Satan in both name and nature.[11]

For the Chasidic Jews of the eighteenth century, Ha-satan was Baal Davar.[12] The Book of Enoch contains references to Satariel, thought also to be Sataniel and Satan'el (etymology dating back to Babylonian origins). The similar spellings mirror that of his angelic brethren Michael, Raphael, Uriel and Gabriel, previous to his expulsion from Heaven.

Christianity
Main article: Christian teaching about the Devil
See also: War in Heaven

The Devil depicted in The Temptation of Christ, by Ary Scheffer, 1854.In mainstream Christianity the Devil is known as Satan and sometimes Lucifer, although most scholars recognize the reference in Isaiah 14:12 to Lucifer, or the Morning Star, to be a reference to the Babylonian king (see, for example, the entries in Nave's Topical Bible, the Holman Bible Dictionary and the Adam Clarke Commentary). Many modern Christians consider the Devil to be an angel who, along with one-third of the angelic host (the demons) rebelled against God and has consequently been condemned to the Lake of Fire. He is described as hating all humanity, or more accurately creation, opposing God, spreading lies and wreaking havoc on the souls of mankind. Other Christians consider the devil in the Bible to refer figuratively to human sin and temptation and to any human system in opposition to God.

Satan is often identified as the serpent who convinced Eve to eat the forbidden fruit; thus, Satan has often been depicted as a serpent. Though this identification is not present in the Adam and Eve narrative, this interpretation goes back at least as far as the time of the writing of the book of Revelation, which specifically identifies Satan as being the serpent (Rev. 20:2).

In the Bible, the devil is identified with the "The dragon" and "the old serpent" in the Book of Revelation 12:9, 20:2 have also been identified with Satan, as have "the prince of this world" in the Book of John 12:31, 14:30; "the prince of the power of the air" also called Meririm, and "the spirit that now worketh in the children of disobedience" in the Book of Ephesians 2:2; and "the god of this world" in 2 Corinthians 4:4.[13]. He is also identified as the dragon in the Book of Revelation (e.g. Rev. 12:9), and the tempter of the Gospels (e.g. Mat. 4:1).

Beelzebub is originally the name of a Philistine god (more specifically a certain type of Baal, from Ba'al Zebûb, lit. "Lord of Flies") but is also used in the New Testament as a synonym for Satan. A corrupted version, "Belzeboub," appears in The Divine Comedy.

In other, non-mainstream, Christian beliefs (e.g. the beliefs of the Christadelphians) the word "satan" in the Bible is not regarded as referring to a supernatural, personal being but to any 'adversary' and figuratively refers to human sin and temptation.[14]

Islam
Main articles: Devil in Islam, Shaitan, and Iblis
In Islam the Devil is referred to as Iblis (Arabic: Shaitan, a word referring to evil devil-like beings). According to the Qur'an, God created Iblis out of "smokeless fire" (along with all of the other jinn) and created man out of clay. The primary characteristic of the Devil, besides hubris, is that he has no power other than the power to cast evil suggestions into the heart of men and women.

According to Muslim theology, Iblis was expelled from the grace of God when he disobeyed God by choosing not to pay homage to Adam, the father of all mankind. He claimed to be superior to Adam, on the grounds that man was created of earth unlike himself. As for the angels, they prostrated before Adam to show their homage and obedience to God. However, Iblis, adamant in his view that man is inferior, and unlike angels was given the ability to choose, made a choice of not obeying God. This caused him to be expelled by God, a fact that Iblis blamed on humanity. Initially, the Devil was successful in deceiving Adam, but once his intentions became clear, Adam and Eve repented to God and were freed from their misdeeds and forgiven. God gave them a strong warning about Iblis and the fires of Hell and asked them and their children (humankind) to stay away from the deceptions of their senses caused by the Devil.

According to the verses of the Qur'an, the Devil's mission until the Qiyamah or Resurrection Day (yaum-ul-qiyama) is to deceive Adam's children (mankind). After that, he will be put into the fires of Hell along with those whom he has deceived. The Devil is also referred to as one of the jinns, as they are all created from the smokeless fire. The Qur'an does not depict Iblis as the enemy of God, as God is supreme over all his creations and Iblis is just one of his creations. Iblis's single enemy is humanity. He intends to discourage humans from obeying God. Thus, humankind is warned to struggle (jihad) against the mischiefs of the Satan and temptations he puts them in. The ones who succeed in this are rewarded with Paradise (jannath ul firdaus), attainable only by righteous conduct.

Bahá'í Faith
In the Bahá'í Faith there is no existence of a malevolent superhuman entity such as the devil.[15] Human beings are seen to have free will, and thus are seen to be able to either turn towards God and develop spiritual qualities, or instead be immersed in their own desires and thus commit wrongs; if people are immersed in their own desires, the Bahá'í writings sometimes use a metaphorical usage of satanic to describe their actions.[15] The writings of Bahá'í Faith also state that the devil is also a metaphor for the "insistent self" or "lower self" which is a self-serving inclination within each individual. This tendency is often referred to in the Bahá'í writings as "the Evil One".[16][17]

Yazidism
An alternate name for the main deity in the tentatively Indo-European pantheon of the Yazidi, Malek Taus, is Shaitan.[18] Rather than Satanic, however, Yazidism is better understood as a remnant of a pre-Islamic Middle Eastern religion, and/or a ghulat Sufi movement founded by Shaykh Adi. The connection with Satan, originally made by Muslim outsiders, attracted the interest of 19th-century European travelers and esoteric writers.

Neopaganism
Christian tradition has frequently identified pagan religions and witchcraft with the influence of Satan. In the Early Modern Period, the Church accused alleged witches of consorting and conspiring with Satan. Several modern conservative Christian writers, such as Jack Chick and James Dobson, have depicted today's neopagan and witchcraft religions as explicitly Satanic.

Few neopagan reconstructionist traditions recognize Satan or the Devil outright. However, many neopagan groups worship some sort of Horned God, for example as a consort of the Great Goddess in Wicca. These gods usually reflect mythological figures such as Cernunnos or Pan, and any similarity they may have to the Christian Devil seems to date back only to the 19th century, when a Christian reaction to Pan's growing importance in literature and art resulted in his image being translated to that of the Devil.[19]

New Age movement
Participants in the New Age movement have widely varied views about Satan, the Devil, and so forth. In some forms of Esoteric Christianity Satan remains as a being of evil, or at least a metaphor for sin and materialism, but the most widespread tendency is to deny his existence altogether. Lucifer, on the other hand, in the original Roman sense of "light-bringer", occasionally appears in the literature of certain groups as a metaphorical figure quite distinct from Satan, and without any implications of evil. For example, Theosophy founder Madame Blavatsky named her journal Lucifer since she intended it to be a "bringer of light". Many New Age schools of thought follow a nondualistic philosophy that does not recognize a primal force for evil.


The Baphomet, adopted symbol of some Left-Hand Path systems, including Theistic Satanism.Even when a dualistic model is followed, this is more often akin to the Chinese system of yin and yang, in which good and evil are explicitly not a complementary duality. Schools of thought that do stress a spiritual war between good and evil or light and darkness include the philosophy of Rudolf Steiner, Agni Yoga, and the Church Universal and Triumphant.

Satanism
Main articles: Satanism, LaVeyan Satanism, Setianism, and Theistic Satanism
Some religions worship the Devil. This can be in a polytheistic sense where "God", Satan, and others are all deities with Satan as the preferred patron; or it can be from a more monotheistic viewpoint, where God is regarded as a true god, but is nevertheless defied.

Some variants deny the existence of God and the Devil altogether, but still call themselves Satanists, such as Anton LaVey's Church Of Satan which sees Satan as a representation of the primal and natural state of mankind.[20]

Much "Satanic" lore does not originate from actual Satanists, but from Christians. Best-known would be the medieval folklore and theology surrounding demons and witches. A more recent example is the Satanic ritual abuse scare of the 1980s – beginning with the memoir Michelle Remembers – which depicts Satanism as a vast (and unsubstantiated) conspiracy of elites with a predilection for child abuse and human sacrifice. This genre regularly describes Satan as actually appearing in person in order to receive worship.[citation needed]

Similar concepts in other religions
Zoroastrianism
Main article: Angra Mainyu
In the Gathas, the oldest texts of the Zoroastrian Avesta, believed to have been composed by Zoroaster himself, the poet does not mention a manifest adversary. Ahura Mazda's Creation is "truth", asha. The "lie" (druj) is manifest only as decay or chaos, not an entity.

Later, in Zurvanism (Zurvanite Zoroastrianism), Ahura Mazda and the principle of evil, Angra Mainyu, are the "twin" offspring of Zurvan, 'Time'. No trace of Zurvanism exists after the 10th century.

Today, the Parsis of India largely accept the 19th century interpretation that Angra Mainyu is the 'Destructive Emanation' of Ahura Mazda. Instead of struggling against Mazda himself, Angra Mainyu battles Spenta Mainyu, Mazda's 'Creative Emanation.'

Hinduism
In contrast to Christianity, Islam, and Zoroastrianism, Hinduism does not recognize any central evil force or entity such as the Devil opposing God. Hinduism does recognize that different beings (e.g., asuras) and entities can perform evil acts, under the temporary dominance of the guna of tamas, and cause wordly sufferings. The Rajasic and Tamasic Gunas of Maya are considered especially close to the Abrahamic concept , the hellish parts of the Ultimate Delusion called "Prakriti". An embodiment of this is the concept of Advaita (non-dualism) where there is no good or evil but simply different levels of realization.

On the other hand in Hinduism, which provides plenty of room for counterpoint, there is also the notion of dvaita (dualism) where there is interplay between good and evil tendencies.[21] A prominent asura is Rahu whose characteristics are similar to those of the Devil. However, Hindus, and Vaishnavites in particular, believe that an avatar of Vishnu incarnates to defeat evil when evil reaches its greatest strength. The concept of Guna and Karma also explain evil to a degree, rather than the influence of a devil.

To be more specific, Hindu philosophy defines that the only existing thing (Truth) is the Almighty God. So, all the asuric tendencies are inferior and mostly exist as illusions in the mind. Asuras are also different people in whom bad motivations and intentions (tamas) have temporarily outweighed the good ones (Sattva). Different beings like siddha, gandharva, yaksha etc. are considered beings unlike mankind, and in some ways superior to men.

In Ayyavazhi, officially an offshoot of Hinduism prominent in Tamil Nadu (a southern state in India with Dravidian heritage), followers, unlike most other branches of Hinduism, believes in a Satan-like figure, Kroni. Kroni, according to Ayyavazhi is the primordial manifestation of evil and manifests in various forms of evil, i.e., Ravana, Duryodhana, etc., in different ages or yugas. In response to such manifestation of evil, believers, in Ayya-Vazhi religion believe that God, as Vishnu manifests in His avatars such as Rama and Krishna to defeat evil. Eventually, the Ekam with the spirit (the spirit taken by Narayana only for incarnating in the world) of Narayana incarnates in the world as Ayya Vaikundar to destroy the final manifestaion of Kroni, Kaliyan.

Kroni, the spirit of Kali Yuga is said to be omnipresent in this age and that is one of the reasons why followers of Ayya Vazhi, like most Hindus, believe that the current yuga, Kali Yuga is so degraded.

Buddhism
A devil-like figure in Buddhism is Mara. He is a tempter, who also tempted Gautama Buddha by trying to seduce him with the vision of beautiful women who, in various legends, are often said to be Mara's daughters. Mara personifies unskillfulness, the "death" of the spiritual life. He tries to distract humans from practicing the spiritual life by making the mundane alluring or the negative seem positive. Another interpretation of Mara is that he is the desires that are present in ones own mind preventing the person from seeing the truth. So in a sense Mara is not an independent being but a part of one's own being that has to be defeated. In daily life of the Buddha the role of devil has been given to Devadatta.

Ancient Egypt
Main articles: Set (mythology) and Apep
In the Ausarian drama we find that Ausar (Greek: Osiris) is chopped into 13 pieces by Set. Auset (Isis) collects all of his pieces save his phallus. Horus, son of Ausar and Auset sets out to avenge the death and dismemberment of his father by confronting Set. Horus is victorious over Set and Ausar, being brought back from the dead becomes lord of the underworld. It is this drama that gives us the cosmic conflict between good and evil, evil being embodied by Set. This is not to say that Set was always seen as an evil character in Ancient Egyptian theology. There are many times in Ancient Egyptian history where conflicts between different "houses" lead to the depreciation of one god relative to another.

As in most polytheistic faiths, the characters involved differentiate themselves from the Western tradition of a devil in that all the gods are closely related. In this case, numerous historic texts suggest that Set is the Uncle or Brother of Horus and in the "defeat" of Set, we see another separation from the norm in the devouring/assimilation of Set into Horus with the result of Horus having depictions of both the falcon head and the (unknown animal) head of Set. This (like Buddhism) represents a dissolution of dichotomy.

The Devil in world folklore

Depiction of the Devil interviewing Mayor HallIn the Western Christian tradition, the Devil has entered popular folklore, particularly in his role as a trickster figure. As such, he is found as a character in a wide number of traditional folktales and legends from Ireland, Newfoundland, Italy and the United Kingdom, where he often attempts to trick or outwit other characters. In some of these tales, the Devil is portrayed as more of a folk villain than as the personification of evil. The Devil also features prominently in a number of hagiographical tales, or tales of the saints such as the popular tale of St. Dunstan, many of which may fall outside the authorized religious canon. The Devil is also a recurring feature in tales explaining the etymology of geographical names, lending his name to natural formations such as The Devil's Chimney.

# Posté le samedi 14 novembre 2009 19:31

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Sweet Death
Monsanto poisons the world for profit
Nutrasweet (aspartame) is an artificial sweetener added to over 9,000 products worldwide. It is manufactured by Monsanto (now famous for its mutant soya) and contains a product of genetic engineering. Originally classified by the US Food and Drug Administration (FDA) as a neurotoxin (nerve agent), this chemical was developed as a chemical warfare weapon.

Monsanto, like all corporations, need to be able to patent something before they market it. Sugar is no good as anyone can produce it. Aspartame happened to taste sweet, and was already patented.

None of the regulatory bodies ever performed any research on aspartame, they simply rubberstamped a political approval of aspartame by the FDA. All FDA team leaders reviewing the pre-approval studies put them in the category of "abysmal" and many suggested they were fradulent. (An interesting point to note on this subject is that Industrial Biotest Laboratories - the American company that did 11 out of the 19 chronic toxicology studies on Monsanto's glyphosphate (i.e. Roundup) - was denounced by the American Environmental Protection Agency in 1983 for "serious deficiencies and improprieties". These included "countless deaths of rats and mice that were not reported", "fabricated data tables" and "routine falsification of data".

Perhaps the nicest example of their efforts comes in a quote from an EPA report: "It is also somewhat difficult not to doubt the scientific integrity of a study when the IBT stated that it took specimens from the uteri of male rabbits for examination" In spite of all this, Roundup is in widespread use worldwide and fully approved by the FDA.)

Dr. Virginia Weldon, VP for Public Policy at Monsanto Chemical is a "top candidate" to become Commissioner of the FDA, reported the St. Louis Post Dispatch Tuesday, May 20 1997. FDA approved Monsanto's NutraSweet, Equal and the bovine growth hormone Posilac, which are under mounting international medical and consumer criticism as toxic substances. NutraSweet and Equal are Monsanto brands of the neurotoxin aspartame. The original developer of NutraSweet was Searle which was acquired by Monsanto in l985.

"If Weldon gets the appointment Monsanto will have its former Vice President empowered to bless dozens of new Monsanto bioengineered chemicals and sweeteners. NutraSweet 2000 is slated for approval in l998 according to the Chemical & Engineering News (21/4/97). "These job swaps by FDA officials are a well oiled revolving door that doesn't even squeak, it just stinks", says Betty Martini, founder of Mission Possible. "Think of the FDA as Monsanto's Washington branch office."

Monsanto researcher Margaret Miller who worked on the bovine growth hormone (rBST), transferred to FDA and got the job of reviewing her own research. Miller increased the antibiotic protocol for milk to permit an increase of 10,000 percent. Cows treated with rBST require more antibiotics because of rampant udder infections. Monsanto attorney Michael Taylor was hired to an FDA post where he could oversee the approval process. Martini calls these events "The Monsanto march on Washington."

In l977 Justice Department attorneys Sam Skinner and William Conlon were assigned to prosecute Searle for submitting fraudulent tests on NutraSweet. They switched sides to join the defense lawyers and the case died when the statute of limitations expired. On 2/7/86 the Wall Street Journal reported the probe of these two ex-U.S. Prosecutors by Senate investigators.
Former FDA Commissioner Arthur Hull Hayes who approved NutraSweet and ignored the contrary recommendations of his own Task Force became a consultant to Searle's public relations firm, Burston Marsteller. Hayes was being investigated for accepting gratuities when he quit.
David Kessler, the FDA Commissioner who recently retired when questioned for padding his expense account, gave blanket approval to NutraSweet even though it has an allowable daily intake, without public notification in June. He has protected Monsanto by ignoring the FDA register of 10,000 complaints and their published list of 92 reactions to aspartame, from coma and blindness to seizures and death.

Kessler consistently protected Monsanto by refusing to require chemical breakdown tests of the drug. An 11 year old, Jennifer Cohen, outclassed the highly paid FDA scientists in an experiment for a school science project *1. She stored cans of Diet Coke in a refrigerator for 10 weeks. They broke down and released formaldehyde and diketopiperazine, a brain tumor agent. According to the Food Chemical News the FDA said they knew it all along.

Mission Possible has demanded FDA recall of aspartame on the basis that a pivotal study of aspartame, SC 18862, produced grand mal seizures in 6 of 7 infant monkeys. One died. Mrs. Martini says: "I fail to see how grand mal seizures prove safety! The FDA report of symptoms list 4 different types of seizures in the public." Acting FDA Commissioner Michael Friedman has ignored the demand.

James Turner, Washington based attorney, explained on 60 Minutes that the original studies on aspartame never proved safety and were not replicated. The late FDA toxicologist, Dr. Adrian Gross, told Congress that aspartame violated the Delaney Amendment because it triggered brain tumors, astrocytomas (first stage of the deadly glioblastoma now said to be rampant in the population). The Bressler Report exposed mammary, uterine and ovarian tumors. Rats listed as dead appeared alive later in the report!

Dr. Virginia Weldon is a pediatrician, and Pediatric Professor, Dr. Louis Elsas testified before Congress in l987 that aspartame is a neurotoxin and teratogen (triggers birth defects!). If she becomes the new FDA Commissioner will history repeat itself? "It's the same song in the same saloon with new nudes," says Martini. "Their corruption is exposed for all to see. Play it again, Sam!"

Contact: Betty Martini, Mission Possible 5950-H State Bridge Rd. Suite 215 Duluth, GA 30155 USA, for even more information, or if you would like to help stop Aspartame.

# Posté le samedi 14 novembre 2009 20:48

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                                  ▄▀▄ ♥ α♥ ▀▄▀→™ ♥♥☠ǿð☠ ♥♥™♥•˚Ŧ♥•˚→      VaMpIrE  NOIR   ▄▀▄ ♥ α♥ ▀▄▀→™ ♥♥☠ǿð☠ ♥♥™♥•˚Ŧ♥•˚→
Vampire Noir is a black-and-white feature film that was created on Super 16mm film. This film follows Vampire Hunter, Jedediah Diesel who is portrayed by Scott Shaw.[1]

Jedediah Diesel's friend is named Diamond. This character is played by Kevin Thompsons, who has appeared in several Scott Shaw films. Thompson initially portrays an unapologetic pimp in this film. It is also revealed that he is a vicious serial killer. He attacks a woman who turns out to be a vampire and is bitten. Shaw's charter saves him by revealing a little known vampire curing secret that was written in a "Hebrew Buddhist scripture."

This film was created in the distinct style of film making known as Zen Filmmaking; meaning there was no screenplay used in its creation. This film begins by appearing to be a documentary film following three individual characters. It then moves forward into being a traditional film narrative.

This article is about the fictional character Anita Blake. For the series of novels about Anita Blake, see Anita Blake: Vampire Hunter.
Anita Blake
First appearance Guilty Pleasures
Created by Laurell K. Hamilton
Information
Nickname(s) Ma petite (by Jean-Claude), Chica, Niña
Aliases The Executioner
Species Necromancer/Succubus
Gender Female
Age 24 (in Guilty Pleasures)
Occupation Animator, Federal Marshall, Vampire Executioner
Title Ms.
Spouse(s) Jean-Claude (lover)
Richard Zeeman (ex-fiance)
Asher (lover)
Nathaniel Graison (lover)
Micah Callahan (lover)
Damian (lover)
Address St. Louis, Missouri
Anita Blake a fictional character in the Anita Blake: Vampire Hunter series of novels by Laurell K. Hamilton. Subsequently, she has also appeared in the Dabel Brothers/Marvel Comics adaptation of her first novel, Guilty Pleasures.

The series takes place in a parallel fantasy world where vampires, shape shifters, werewolves, faeries, etc. exist. Her night job, and primary source of income, is the legal profession of re-animating the dead. As an "animator" in a parallel St. Louis, her job entails using magical abilities to bring temporary life to dead bodies in order to question them for legal purposes. She is a necromancer, which allows her to control the dead, including vampires and zombies, but not ghosts and ghouls. She is also a licensed vampire hunter/executioner, with eventual empowerment as a Federal Marshal. In her world this profession involves tracking down and killing vampires who have murdered humans. She is also held in retainer for the Regional Preternatural Investigation Team (RPIT, pronounced Rip-it), which investigates supernatural crimes committed involving magic, vampires, werewolves, and other supernatural creatures.

A strong protagonist in the series, Blake is very direct, flippant, and highly competent in the professions she is involved in. She is trained in judo, kenpo and knows how to use several weapons, but is most efficient with guns (as the series begins, the Browning Hi-Power is her carry gun of choice, though later in the series she switches to the Browning BDM). She is also a devout Christian which often creates moral dilemmas for the character. She is currently of the Episcopalian faith, having left Catholicism since the Catholic Church has excommunicated all animators. She is of mixed heritage: Her mother was Mexican and her father's family was

# Posté le samedi 14 novembre 2009 19:08

Modifié le samedi 14 novembre 2009 19:23

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˙ · . · ˙ · . · ˙ · . · ˙ · . ·˙ · . · ˙GhOsT˙ · . · ˙ · . · ˙ · . · ˙ · . ·˙ · . · ˙
Ghost (General Hardware Orientated System Transfer) est un logiciel, distribué par Symantec pour cloner[1] un disque dur (copie physique), ou plus spécifiquement, de cloner chaque partition d'un disque dur (copie logique). Par extension, le terme « ghost » tend à se généraliser pour désigner toute image d'un support informatique ou d'un système informatique faite par un logiciel de sauvegarde. Dans le jargon informatique, le néologisme « ghoster un PC » est apparu. Il est synonyme de cloner, c'est-à-dire dupliquer le disque dur d'un PC.

L'intérêt de ghoster un PC est de ne pas avoir besoin de réinstaller chaque logiciel un par un, ce qui est long et fastidieux pour la (ou les) personne(s) qui installe(nt) ces logiciels. Ghoster un PC est rapide et nécessite beaucoup moins de compétences ; il reste cependant à personnaliser la machine clonée en modifiant son nom et son adresse IP à l'issue du clonage. Le chiffrement AES (Standard de chiffrement avancé) est aussi supporté pour préserver la confidentialité des sauvegardes. Ghost inclut aussi un Fdisk amélioré.

L'image obtenue peut notamment être utilisée :

comme une sauvegarde pour restaurer l'état du disque au moment de la création de l'image
comme modèle pour réaliser un clonage de disque
L'image disque peut également être gravée ou déployée au travers d'un réseau informatique, notamment à l'aide du support réseau de Ghost.

Ghost supporte de nombreux systèmes de fichiers, tels que FAT, NTFS, Ext2/Ext3, ReiserFS.

[modifier] Gdisk de Ghost
GDisk.exe de Ghost permet la création/suppression de partitions, réinitialiser le MBR (Master boot record), rendre visibles ou invisibles des partitions. En fait, c'est un fdisk amélioré. Il est même possible de faire des scripts pour paramétrer ces opérations sur les partitions.

GDisk32.exe permet de modifier le fichier BOOT.INI de Windows (voir NTLDR) et de rendre visible une partition pour Windows, .

[modifier] Historique des versions
En 1996, la société néozélandaise Binary Research conçut la première version de Ghost. Il avait été conçu par Murray Haszard (voir (en) Binary Research, Murray Haszard).

Ghost permettait le clonage d'un disque dur et le clonage de partition FAT et NTFS.

Pour NTFS, le programme Ghostwalker (ghstwalk.exe) permettait de changer l'IDentificateur de Sécurité (SID) d'un PC sous Windows. Cela permettait de cloner un PC et de l'insérer dans le même domaine NT que le PC.

[modifier] 1998 : rachat par Symantec
La société Symantec racheta le logiciel en 1998 pour 27,5 millions de dollars américains à la société Binary Research. Un utilitaire de partitionnement de disque fut rajouté à la suite logicielle Ghost (c'était l'équivalent d'un fdisk en plus perfectionné).

[modifier] À partir de 1999 : clonage d'une partition Ext2 (pour Unix)
À partir de 1999, il a été prévu de pouvoir cloner des partitions pour ordinateurs sous Linux. Il y eut d'abord Ext2, puis Ext3.

Il existe un très grand nombre de système de fichiers sous Linux ; pour les systèmes de fichiers que Ghost ne reconnaît pas, il suffit de faire une copie physique au lieu d'une copie logique.

En 2000, un Ghost sur le réseau. La version 6.0 de Ghost permettait d'utiliser Ghost à distance, via le réseau (outil Console).

En 2004, des fonctionnalités du logiciel DriveImage ont été intégrées dans Ghost V9.0 (voir (en) DriveImage).

Norton Ghost V10 voit le jour en 2005, les disques S-ATA sont supportés. Ils sont vus par Ghost comme des disques SCSI. Les dispositifs suivants sont aussi supportés : USB, FireWire et les graveurs DVD (et CD).

Le chiffrement AES (Advanced Encryption Standard) est aussi supporté pour préserver la confidentialité des sauvegardes

# Posté le samedi 14 novembre 2009 18:20

Modifié le samedi 14 novembre 2009 18:41

™♥♥ ╬→♥°•°•♥← ╬▄▀▄▀▄▀♥●●♥Vampire's Kiss▄▀▄▀▄▀✖™™ ✖™™ ツ●│ω★★♥®¬¬3★Ø™│©Ø Vampire's Kiss

                    ™♥♥ ╬→♥°•°•♥← ╬▄▀▄▀▄▀♥●●♥Vampire's Kiss▄▀▄▀▄▀✖™™ ✖™™ ツ●│ω★★♥®¬¬3★Ø™│©Ø                                                       Vampire's Kiss
Vampire's Kiss is an American dark comedy/psychological horror film released in 1989. It was written by Joseph Minion, who also penned Martin Scorsese's darkly humorous After Hours, and stars actors Nicolas Cage, Maria Conchita Alonso, Jennifer Beals and Elizabeth Ashley.

The title might make the viewer expect a traditional vampire story, but Vampire's Kiss is not that kind of movie. It is the story of Peter Loew (Nicolas Cage), a driven yuppie literary agent, who is slowly but inexorably going insane.

Loew plays the consummate businessman by day, and club hops by night, with little in his life of any importance but one night stands and the pursuit of money and prestige.

As the film opens, Loew tells his therapist (Ashley), whom he sees frequently, about his latest sexual conquest. During these sessions at the psychiatrist's office, the viewer is first introduced to Loew's declining mental health through a series of increasingly bizarre rants that eventually begin to scare even his psychiatrist.

Early in the film, Loew meets Rachel (Jennifer Beals) at a night club, and takes her home. It is never made clear whether the encounter with Rachel is real or solely a figment of Loew's deranged mind, but she pins him down, reveals vampiric fangs, and feeds on him. At home, Loew's fits of rage gradually reduce his apartment to shambles. Throughout the movie the apartment's decline mirrors the protagonist's own increasingly chaotic mental state. In one scene, perhaps the film's most infamous, Loew catches and eats a cockroach in his apartment. Soon thererafter, Loew begins to believe that he is changing into a vampire. He stares into a bathroom mirror and fails to see his reflection; he wears dark sunglasses during the day; and, when his "fangs" fail to develop, he purchases a pair of cheap plastic vampire teeth and uses them to attack a woman at a nightclub. All the while, his sexy vampire girlfriend, Rachel (possibly) visits him nightly to feed on his blood.

A subplot concerns a secretary working at Loew's office, Alva Restrepo (Maria Conchita Alonso). Loew torments her by forcing her to search through an enormous file for a 1963 contract. When she fails to find the contract, he at first browbeats and humiliates her, then visits her home when she calls in sick to avoid him, and finally attacks and rapes her. The movie spends some time showing a small slice of the lives of the working poor immigrant through Alva's character.

Loew has a brief, ambiguous encounter with Rachel in a dance club: she admits to knowing him, but gives the impression they've not been in contact for a long period. He accuses her of being a vampire, and is expelled from the club. By the film's conclusion, Loew is so far gone he is one of New York City's walking crazies; wandering the streets in a blood-spattered business suit, talking to himself, and using his now disastrous apartment as a vampire's cave where he hides from the sun by crawling under an upturned sofa. Loew may have murdered someone the night before, and he may have raped his secretary. However, he mentions both "achievements" to his therapist, who isn't really present, in a hallucinatory exchange. Loew has by this time become so deranged that it's difficult for the viewer to separate fantasy from reality. Alva, however, also believes she's been raped, and the film ends with Loew's fitting yet curiously pitiful death at the hands of her brother.

# Posté le samedi 14 novembre 2009 18:12

te;´●● ♣→♣♠♠→││dEaTh mEtAL│™→ ← ▀▄▀▄٦٦Й→ЙŁ♂▀▄▀▄ °μ

 te;´●● ♣→♣♠♠→││dEaTh mEtAL│™→ ← ▀▄▀▄٦٦Й→ЙŁ♂▀▄▀▄ °μ
Le death metal étant un genre de musique varié, les caractéristiques suivantes ne s'appliqueront pas forcément à tous les artistes ou albums. Parmi les caractéristiques communément reconnues du genre, on peut citer des paroles généralement violentes ou sombres de nature qui se servent de la mort comme d'une métaphore nihiliste (même si, plus récemment, des paroles plus centrées sur la philosophie, comme celles du groupe Death, sont aussi devenues populaires), des progressions chromatiques et une structure de chanson narrative (présentée comme une histoire) qui utilise un développement continuel de thèmes et de motifs plutôt qu'un cycle de couplets et de refrains. Le genre est souvent identifié grâce à ses guitares rythmiques accordées plus bas (jusqu'au Si[1] au lieu du traditionnel accordage en Mi), des percussions rapides avec une utilisation fréquente de la double grosse caisse, et une intensité dynamique. Les blast beats sont souvent utilisés pour ajouter de la férocité à la musique. Les techniques vocales utilisées sont presque toujours des chants gutturaux graves appelés grunts, growls, ou encore death growl. Ce genre de chant est créé par l'utilisation des fausses cordes vocales et de la gorge, contrairement aux chants traditionnels qui déconseillent cette technique. Certains considèrent ces chants comme un style de chant diphonique. À cause de la similarité de cette technique avec celle du personnage de Macaron le glouton ("Cookie Monster" en Anglais) dans Sesame street, ce style de chant est donc parfois appelé de façon parodique" Cookie Monster vocals" dans les pays anglo-saxons (littéralement "technique vocale du Cookie Monster").[2],[3],[4]

Genres dérivés du death metal [modifier]
Death metal mélodique [modifier]
Article détaillé : Death mélodique.
Le death metal mélodique est une variante du death metal où les harmonies et les mélodies sont plus mises en avant et plus proches du système tonal, contrairement aux chromatismes et autres dissonances caractéristiques du genre. Ce sous-genre est souvent associé à la Suède (en particulier Göteborg) ainsi que la Norvège et la Finlande. Des exemples de groupes du genre sont Scar Symmetry, Amon Amarth, At The Gates, Hypocrisy, In Flames, Insomnium, Soilwork, Dark Tranquillity, Arch Enemy, Darkane, The Duskfall et les débuts de Eternal Tears of Sorrow, Amorphis,Sentenced, Strider et Raintime.

Death metal technique [modifier]
Cet article ou cette section est sujet à caution car il ne cite pas suffisamment ses sources. (octobre 2009)
Pour rendre l'article vérifiable, signalez les passages sans source avec {{Référence nécessaire}} et liez les informations aux sources avec les notes de bas de page. (modifier l'article)

Le death metal technique est un style pouvant allier mélodies et brutalité, mais qui se caractérise plus par le niveau technique des musiciens et l'assemblage de leurs compositions, qui sont souvent très progressives et riches en mesures composées (aussi dites mesures asymétriques). Le groupe Necrophagist, entre autres, allant même jusqu'à privilégier ces dernières par rapport au trop banal 4/4 (qui corresponds littéralement à quatre noires dans une mesure, soit un rythme binaire). Les précurseurs dans les années 90, furent Atheist de Floride. Death est parmi les groupes les plus populaires et les plus célèbres, ainsi que les groupes Necrophagist, Psycroptic, Decapitated, Trepalium,Daath, Spawn of Possession, Cynic, Carcass, Nocturnus et Pestilence( qui serait plutot à classer dans le Death metal "classique"). En France, nous pouvons citer Hacride, Scarve, Gojira ou le groupe culte Carcariass ce dernier oscillant entre le death metal et le death melodique ainsi que le légendaire groupe suisse Coroner (qui serait plutôt à classer dans le techno/thrash Technique). Au Québec, Martyr est la référence en fait de death metal technique, sans oublier Quo Vadis qui vient du Québec aussi

# Posté le vendredi 13 novembre 2009 20:09

♪ℓ→♀♡♂αα╬╫╫╬ЏЛ♥♥® → dark aNgEl™¤ ♥™☆••☆→♀ღ♡ •°˚ ThIs iS The nEw ShIt

                                                  ♪ℓ→♀♡♂αα╬╫╫╬ЏЛ♥♥® → dark aNgEl™¤ ♥™☆••☆→♀ღ♡ •°˚                             ThIs iS The nEw ShIt
Dark Angel is an American biopunk/cyberpunk science fiction television program created by James Cameron and Charles H. Eglee. Dark Angel premiered in the United States and Canada on the Fox network on October 3, 2000, but was canceled after two seasons. The show chronicles the life of Max Guevara (X5-452), a genetically enhanced super-soldier, portrayed by Jessica Alba as an adult, and Geneva Locke as a child. The program is set in Seattle, Washington, USA, but was actually filmed in Vancouver, British Columbia, Canada at Lions Gate Studios.

Contents [hide]
1 Overview
2 Synopsis
3 Cast and characters
3.1 Main characters
3.2 The 12 original escapees
4 Music
4.1 Official Soundtrack
4.2 Score
4.3 Individual Episode Tracks
5 Production
5.1 Background to series
5.2 Broadcast history
5.3 US ratings
6 Episodes
7 DVD releases
8 Awards
9 Spinoffs
10 References
11 External links


[edit] Overview
In the year 2009, a genetically enhanced, 9-year-old female super-soldier who calls herself Max Guevara (Jessica Alba), escapes along with eleven others like her from a secret government institution, codenamed Manticore, where they were born, raised and trained to be soldiers and assassins. On June 1, 2009, months after Max's escape, terrorists detonate an electromagnetic pulse weapon in the atmosphere over the U.S., which destroys the vast majority of computer and communication systems, throwing the country into utter chaos.

The first season begins ten years later in 2019, as it follows the life of the now 19-year-old Max as she struggles to search for her Manticore brothers and sisters. In a United States which is now barely more than a Third World nation, she tries to live her life, evade capture, and learn to trust and love. She is aided by Logan Cale (Michael Weatherly), an underground cyber-journalist with the alias Eyes Only, Zack, a fellow X-5, her roommate for a time, Kendra (Jennifer Blanc), and her friends Original Cindy (Valarie Rae Miller), Herbal Thought (Alimi Ballard) and Sketchy (Richard Gunn) at Jam Pony, a courier company where she works as a bicycle messenger. Other X-5's are periodically introduced as well. One or two times a year, Max comes into 'heat' and experiences wild sexual urges as a result of her feline DNA.

In the second season of the show, the tone changes as Max brings down Manticore and frees the soldiers. She is helped in her escape by Alec (Jensen Ackles), in an attempt to facilitate the assassination and capture of Eyes Only and Joshua (Kevin Durand), a transgenic with canine DNA. She later learns that Joshua was the first transgenic created by Manticore's founder Sandeman. Max also finds out that Manticore produced soldiers for specialty environments such as desert and arctic conditions and consequently look vastly different from normal humans. A major theme in the second season is the discovery of an even more deadly enemy in a millennia-old breeding cult similar in structure to the Illuminati. This has resulted in humans even more formidable than the Manticore-produced transgenics, and even some with strong telekinetic powers. Ames White (Martin Cummins), a government agent introduced early in the second season trying to eliminate the loose transgenics, is revealed to be a member of the cult. When a strange message written in Max's genetic code makes an appearance on her skin, it is revealed that Sandeman is a renegade from the breeding cult. Ames White is Sandeman's son, which makes him related to Max and her transgenic brethren. However, the series was cancelled before the producers could play with this dynamic

# Posté le mercredi 11 novembre 2009 12:23

♥♥★★★™☆®☆→‹3│°│™Ø→♥♥ άφη→Ø ‹3 ‹るפֿ∂¡¨▄ ♥▄♥ ▄▄♥ ▄ ♥▄°●ค ☆IrOn MaiDeN •٠·˙‹з●˚٤ØF∂™←ℓ←♫♥&f rac14;→ ♥8♥ø™♥♥♥♥♥♥→│ΣΔ

♥♥★★★™☆®☆→‹3│°│™Ø→♥♥ άφη→Ø ‹3 ‹るפֿ∂¡¨▄ ♥▄♥ ▄▄♥ ▄ ♥▄°●ค ☆IrOn MaiDeN •٠·˙‹з●˚٤ØF∂™←ℓ←♫♥&f rac14;→ ♥8♥ø™♥♥♥♥♥♥→│ΣΔ
Iron Maiden a été formé le jour de noël en 1975 par le bassiste Steve Harris, bientôt rejoint par Dave Murray, guitariste.

Durant les deux années qui suivent, le groupe change plusieurs fois de membres, excepté Harris et Murray, et joue des chansons influencées par Black Sabbath, UFO, Thin Lizzy ou Deep Purple. En 1978, le line-up est stabilisé par l'arrivée de Doug Sampson à la batterie et du chanteur Paul Di'Anno. Ce dernier apporte une attitude plus punk bien que la musique reste incontestablement heavy. Le groupe se forge une grande popularité au Royaume-Uni en parcourant tous les clubs du pays qui acceptent d'engager des formations de hard rock en pleine tempête punk. Les musiciens font la connaissance de Rod Smallwood, leur futur manager et « sixième membre » . En décembre 1978, le groupe enregistre enfin sa première démo, Soundhouse Tapes, éditée à 5000 exemplaires. Grâce au bouche à oreille, ce premier enregistrement s'arrache en quelques jours. En 1979, Clive Burr remplace Sampson et Dennis Stratton entre dans le line-up en tant que deuxième guitariste, un plus indispensable pour les compositions du groupe. Quelques mois plus tard, EMI, se basant sur le buzz autour des musiciens, signe un contrat pour quatre albums.

[modifier] Iron Maiden
Ils entrent en studio et enregistrent leur premier vrai album, Iron Maiden qui
prend aussitôt la 4e place du hit-parade britannique. Malgré une production très sommaire, on retrouve l'ensemble de tout ce que le groupe peaufine depuis des années et des centaines de concerts (Phantom Of The Opera, Remember Tomorrow, Iron Maiden, Prowler, etc.). Invité à Top Of The Pop, le quintette refuse de jouer Running Free en play-back et devient le premier groupe à jouer live depuis The Who en 1972.




Bien établi à domicile, le groupe ouvre aux États-Unis pour Judas Priest et en Europe pour Kiss, volant proprement la vedette à ces derniers. Puis Stratton est remercié et remplacé par Adrian Smith, un ami d'enfance de Dave Murray. Sur la pochette du maxi Sanctuary, Eddie poignarde Margaret Thatcher qui vient d'arracher une affiche annonçant un concert du groupe. La censure force l'illustrateur Dereck Rigg à recouvrir les yeux de sa victime d'un bandeau noir pour la rendre moins reconnaissable[2]. Pour le single suivant, Women In Uniform, la Dame de Fer a sa revanche. Cette fois c'est elle, placée en embuscade avec un fusil, qui attend la mascotte du groupe pour lui faire sa fête.

[modifier] Killers
L'année suivante, le groupe sort Killers (no 11 GB, no 70 US), leur 2e album très attendu. Seules Killers, Prodigal Son, Genghis Khan, Purgatory et Murders In The Rue Morgue sont de nouvelles compositions, le reste faisant déjà partie du répertoire rodé sur scène depuis la fin des 70's. Cette fois, le groupe a fait appel au producteur Martin Birch (Deep Purple, Whitesnake, Black Sabbath, etc.) pour obtenir un son bien plus clair et puissant. Iron Maiden entame sa première tournée mondiale, le Killers World Tour, qui mène le groupe pour la première fois de sa carrière au Japon suite à la tournée européenne et américaine.

# Posté le mardi 10 novembre 2009 14:35

Modifié le mercredi 11 novembre 2009 10:00

te;´●● ♣→♣♠♠→││ ﻉ ø││ ←♥♥⌈φØ♥→lOoK tMe │°│™→ ← ▀▄▀▄٦٦Й→ЙŁ♂▀▄▀▄ °μ

 te;´●● ♣→♣♠♠→││ ﻉ ø││ ←♥♥⌈φØ♥→lOoK tMe │°│™→ ← ▀▄▀▄٦٦Й→ЙŁ♂▀▄▀▄ °μ
Our notion of a vampire with a Transylvanian accent and castle to match owes its debt to the multitude of film versions based on Bram Stoker's Dracula. The vampire myth, however, existed in ancient Greece and Rome, Assyria, Babylon, China, Tibet, North Africa, Nepal, North and South America, Malaysia, Australia--in short, almost everywhere. The pervasiveness of the vampire myth may have something to do with the universal association of life rituals with blood, with the fear of dying, and until recently, the fear of being buried alive. Undeniably the allure of the vampire has been--and in the case of our time, still is--erotic. In most vampire tales the victims are liberated by the vampire into a freedom that is undeniably sexual. The vampire is a former mortal who not only has become a monster, but is able to induct other humans into the vampire family.

Punch, "The Irish 'Vampire.'" Volume 89. October 24, 1885. Here, the Irish revolutionary Charles Parnell, transformed into a vampire bat, menaces the lovely and helpless figure of Ireland. Attempts to liberate Ireland from English rule are depicted here as monstrous and predatory, draining Ireland of her strength and ultimately, her humanity.



The Vampyre; a tale. By John William Polidori. London: Sherwood, Neely, and Jones, 1819. The Sadleir-Black Collection of Gothic Novels. This tale was also published in the New Monthly Magazine in April 1819, where the publisher attributed it to Byron. Byron repudiated the tale and Polidori claimed authorship. The Vampyre of the title is a Gothic hero, taken to extremes of cruelty. Here is our first glimpse of Polidori's creation:
"he gazed upon the mirth around him, as if he could not participate therein. Apparently, the light laughter of the fair only attracted his attention, that he might by a look quell it, and throw fear into those breasts where thoughtlessness reigned...ome attributed it to the dead grey eye, which, fixing upon the object's face, did not seem to penetrate, and at one glance to pierce through to the inward workings of the heart."

Dracula. By Bram Stoker. London: Sherwood, Neely, and Jones, 1819. First edition. The Sadleir-Black Collection of Gothic Novels. Stoker's vampire tale is undoubtedly the most influential vampire story of all time. In his novel, Stoker creates a truly Satanic and nearly invincible fiend, who can only be defeated by the doctor and occultist Van Helsing. Stoker's biographer, Harry Ludlam, tells us that Stoker's inspiration came from a dream in which he saw "a vampire king rising from the tomb to go about his ghastly business." This dream was reportedly brought on "from a too-generous helping of dressed crab at supper." It was the dream that led Stoker to research extensively Balkan vampire legends, basing Dracula upon Vlad Tepes the Impaler, a fifteenth-century Transylvanian ruler also known as "Dracula," or, "Son of the Devil."


Letter, dated September 7, 1871. The Special Collections Department. J. Sheridan Le Fanu discusses the copyright for a ballad poem.


In a Glass Darkly. By J Sheridan Le Fanu. London: 1947. Alderman Library. This collection of tales includes Carmilla, a tale of female vampiricism which anticipated by thirty years Bram Stoker's Dracula. J. Sheridan Le Fanu was born to Anglo-Irish parents. He trained in law, but never practiced, preferring instead to acquire and edit such publications as The Dublin University Magazine, The Warden and The Protestant Guardian. He published a number of tales anonymously. Literary historians will probably never be able to credit to him all of these tales. In a Glass Darkly was published in 1872, one year before his death. Carmilla is narrated by a young woman, Laura, who is viisted by a dream image, Camilla. Camilla is also Countess Millarca Karnstein, a vampire. Carmilla is eventually vanquished after claiming several female victims.

# Posté le lundi 26 octobre 2009 18:25

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Vampires are fictional mythological creatures said to subsist by drinking the blood of their victims.[1] The most known tale about vampires is Bram Stoker's 1897 story, Dracula, which drew on earlier mythologies of werewolves and similar imaginary demons and "was to voice the anxieties of an age," and the "fears of late Victorian patriarchy."[2] Literary historian Brian Frost speculates that the "belief in vampires and bloodsucking demons is as old as man himself," and may go back to "prehistoric times,"[3] and literary historian Susan Sellers places the current vampire myth in the "comparative safety of nightmare fantasy."[2]

Although typically described as undead, some minor traditions believed in vampires that were living people.[4][5][6] In folkloric tales, vampires often visited loved ones and caused mischief or deaths in the neighbourhoods they inhabited when they were alive. They wore shrouds and were often described as bloated and of ruddy or dark countenance. This is markedly different from modern fictional portrayals of gaunt, pale vampires beginning in the early 19th century. Although vampiric entities have been recorded in many cultures, the term vampire was not popularised until the early 18th century, after an influx of vampire superstition into Western Europe from areas where vampire legends were frequent, such as the Balkans and Eastern Europe,[7] although local variants were also known by different names, such as vampir (вампир) in Serbia and Bulgaria, vrykolakas in Greece and strigoi in Romania. This increased level of vampire superstition in Europe led to mass hysteria and in some cases resulted in corpses actually being staked and people being accused of vampirism.

The charismatic and sophisticated vampire of modern fiction was born in 1819 with the publication of The Vampyre by John Polidori. The story was highly successful and arguably the most influential vampire work of the early 19th century.[8] However, it is Bram Stoker's 1897 novel Dracula that is remembered as the quintessential vampire novel and which provided the basis of modern vampire fiction. The success of this book spawned a distinctive vampire genre, still popular in the 21st century, with books, films, video games, and television shows. The vampire is a dominant figure in the horror genre.

# Posté le lundi 26 octobre 2009 18:14